The Blackwing Returns

Some of my Blackwing pencils

NOTE Today I heard from two story artists simultaneously with exciting news via Mark Frauenfelder at boingboing.net: apparently that mighty elegant instrument, the extinct Blackwing pencil, is soon going to resume production. I wrote the post below ("Why My Blog Is Titled As It Is') in November, 2005, and it seems like a good time to give it an encore.

They don't make them like this anymore. Really--they don't make these at all; production ceased in 1998, apparently.
I love these pencils--they're a joy to draw with, although I rarely use them now (dwindling supply), but their real attraction is the association they can't shake for me--that of the Disney studio of the 50s, of sketch artists and draughstmen and designers working on immortal projects, not only at Disney feature animation but all over Los Angeles: the maitre'd at Musso's taking a reservation for four in 1933; a script supervisor working alongside Preston Sturges making notes during takes of "Sullivan's Travels"; a student at Chouinard toiling on a design project in 1961; Henry Miller, or Bob Clampett, or Clarence Darrow or Ward Kimball or Ernie Kovacs or Raymond Chandler. Who knows how many yet remain in the musty drawers of retired writers and artists all over the city, from Arcadia to Malibu?

I first saw one of these on the desk of an animator at Disney's in the early 80s, and later on the desk of Cecil B. DeMille, untouched since his death in the 60s; there were some among T. Hee's studio ephemera, given to us at CalArts after his death. I ordered an entire box from the redoubtable Cartoon Colour Company of Culver City, many years ago. Little dreaming of its eventual demise, I recklessly scrawled away, and now my Blackwings constitute barely a fistful, from stubs to pristine unsharpened.

It's a thoroughly romantic instrument: sleek and silvery, fast-moving and easy to sharpen, with a curious back end--a golden holder encasing a silver clasp cradling a removable eraser, the better to extract, flip and so extend its usefulness.

Among both pencil enthusiasts and stubborn pencil-wielding animators, it fights for prominience with the fat, round, green Blaisdell Layout, most famous as the longtime-preferred pencil of Glen Keane. I have a stub of a Blaisdell somewhere--really, a stub, barely two inches long. It's easy to see why it's so appealing, as it skates smoothly over the paper--best used as a blunt instrument with its wide smear of soft lead.
But I still swoon for Blackwings--surely the only pencil which bears its own motto--in quotes, no less--across its length: "Half the pressure, twice the speed". And it certainly seems to be so. A sorry world where such treasure is allowed to pass away. I am old enough to know it's the little things in life--particularly in an artist's life--that immeasurably enhance the day to day grind.

So, the Blackwing: I look over my shoulder and admire the gleam of the golden lettering on my desk. A glorious instrument with all the possibilities that art provides at its tip. And thus the blog moniker.

There's an excellent review of an "old" Blackwing here. Very much worth a click.

Fred Moore Girl Statue

I saw the prototypes at Comic Con, and they were beautiful. There's a blonde and a raven-haired paint, and last but not least a red headed, green-eyed version available by special preorder from Electric Tiki. Just wanted to share.

John Canemaker signs tonight at the Americana on Brand

I really don't want to remember today as the anniversary of Joe Ranft's death. I understand why many would, as I'm a person who's fascinated by history, the lives of people who've gone before us and marking their passages. I remember very well where and when I heard that Joe had been killed and what I felt at the time, though I didn't write about it here. Later I posted a memory of him that meant something to me. I understand this and I do it myself for people I'm interested in and have cared about, but I don't want to think about Joe dying that way, this year, on this anniversary.

This year there's a much more apropos reason to do a post mentioning Joe. John Canemaker has just published a beautiful book about him and the legendary, longtime-Disney artist and supervisor Joe Grant--a dual celebration and examination of two men whose lives, one way and another, contributed greatly to animation storytelling in films we love: Two Guys Named Joe: Master Animation Storytellers Joe Grant & Joe Ranft.

The book was released August 2nd, and that's the day my copy came from Amazon. I've been waiting for it as eagerly as any in a long time, and it's well worth the wait. I'll publish a thorough review later this week, but suffice to say it's another in the indispensable list of titles from John Canemaker. Anyone interested in, working in or who cares an atom about the art of animation can't afford to miss any book or article Canemaker signs his name to. How he manages to be a filmmaker himself while researching and teaching and writing as well as he does all those things is a mystery to me, but I'm certainly glad he does. We're all in his debt for the scholarship he's done.

The Los Angeles area is hosting John Canemaker for signings of Two Guys Named Joe: one tonight In Glendale and tomorrow at the Happiest Place On Earth. He is not only one of the most talented but one of the most generous and affable authors you'll ever meet, and I hope many of you get the chance--and get a book signed.

Barnes & Noble Tuesday, August 17, 7:00 pm
Glendale Americana
210 Americana Way, Glendale, CA

Disneyland Resort Wednesday, August 18, 9:00-11:00 am
Disney Gallery, Main Street USA
Anaheim, CA

Great Inspiration: music-only soundtrack for Lampwick's transformation in "Pinocchio".

I just found this on the blog written by Jaime Weinman, Something Old, Nothing New-which he in turn found on youtube. It's arguably the most frightening scene in animation history-Pinocchio witnessing the wages of childhood sin on his new friend Lampwick.
Everyone's seen it numerous times, but here it is presented with no dialogue or other track-nothing save the dramatic score of composer Leigh Harline. The character animation is primarily the work of Fred Moore, Ollie Johnston, Milt Neil, Milt Kahl and Eric Larson.



I can't remember how I initially found Weinman's blog (and in all honesty I don't check in with him often enough these days), but in my internet wanderings he's one of the best writers on film and other popular entertainment I've come across. His entries are frequently so fascinating that I'll become interested in a title I either had no patience for or any curiosity about before he examined it. That's obviously not the case with "Pinocchio", a film I probably put at the top of my animation mountain, but it figures it's Jaime who shares something that's a must-see for anyone who loves animation. Be sure to read his accompanying comments about composer Harline.

What's up with Bird (Brad)

Robert, Brad and George at ShoWest in 2005
Because it's always interesting to hear what's going on with him and because his name probably gets mentioned by someone in our industry 83.2 times a day in some context or other, I was very happy to read this exclusive by Nikki Finke at the head of her Deadline Hollywood blog tonight:

From Deadline.com/Hollywood by Nikki Finke: I hear that, after a hot pursuit by all the major Hollywood agencies, formerly rep-less Brad Bird has signed with UTA's Tracey Jacobs and David Kramer. The writer-director is currently prepping to helm Paramount's Mission: Impossible IV for producer J.J. Abrams, with Tom Cruise starring. But Deadline has reported previously that Paramount is currently rethinking MI4. I hear the script that came in is very good, but the studio is still trying to figure out the budget as well as Cruise's role in light of the lackluster Knight And Day grosses. There's talk that Tom's character will mentor a young operative this time out if the pic proceeds. I just hope Bird is pay or play.

He's also attached to direct 1906 for Warner Bros. Bird won two Academy Awards for directing the Pixar hits The Incredibles and Ratatouille, both of which he also wrote. Bird's first major animated feature came with Warner Bros' The Iron Giant, which he wrote and directed. In addition to working at Pixar, Bird has also had a prolific television career, having worked on shows such as The Simpsons, King Of The Hill, and The Critic. Bird will continue to be represented by attorney Jake Bloom.

Any news such as this is good news. Everyone I know wants to see whatever he does next as soon as may be.

Toby Shelton

Toby Shelton's cintiq sketch revisiting his design for the title character in the Disney series "Darkwing Duck" and his story panels from "How To Train Your Dragon" and "Princess and the Frog" from his blog. CLICK to enlarge.

In an industry full of talented people and myriad styles the work of story artist Toby Shelton remains unique.

His facility with line is something else--form, weight and gesture beautifully employed. The guy can draw. But to leave it at his technical skill would be missing more than half the picture. It's the sincere appeal of his characters, their acting and his cinematic staging that give his stuff its impact, as well as an intangible something that's just terrifically likeable. Recent credits of his include "Megamind", "Princess and the Frog" and "How To Train Your Dragon".

In another life (as he puts it in his blog's profile) Toby worked for Disney feature animation as an animator, and in 1985 was one of the first to work at Disney's new Television Animation division, where his superb designs for "Rescue Rangers" and "Darkwing Duck" became well known and were traded freely, even by artists who'd never met him. He's posted some of that original character design work on his blog. For the requirements of this era in television in particular, sheets like these leap off the quality meter.





Everywhere he's worked has benefited immensely from his skill, and the influence and inspiration he provides to other artists is palpable. He's a thoughtful artist and a generous one.

Toby Shelton: Stuff I Did--be sure to visit it often.



A Toby Shelton rough story panel from Disney's "Princess and the Frog"-borrowed from a post by the great Paul Briggs on Paul's blog.

Toby's exploratory sketch of Mama Odie from Princess and the Frog. His design remained through the story process and animation.

Sunday, June 20: win rare art by Fred Moore. Or Glen Keane. Or Marc Davis. Or 100 other geniuses of animation.

UPDATED 6/22 For the record: the auction raised over 70,000 to help Pres and his family defray the tremendous costs of his fight with leukemia.



This is a drawing by Fred Moore-probably a study for a presentation painting. It's one of a kind and it's beautiful-and it can be yours.
It'll be auctioned live tomorrow and even if you're many miles away, you can email the auction organizers today and arrange for an absentee bid to be placed for you. It's part of one of the most impressive auctions of great animation art in quite some time, and it's for a good cause.

UPDATED TO ADD: The L.A. Times had a nice article covering the auction here


Good cause? That's an understatement.


Patrick's painting of Pres and his wife Jeannine as Bonnie & Clyde, from Patrick's blog
I've never met Pres Romanillos, but thanks to my friend Patrick Mate I know several things about him, including these: he and his wife Jeannine have an awesome pride of cats, he's an excellent animator, and he's an awful lot of fun to take on road trips to the Comic Con. Also, anyone that Patrick draws with such affection and gusto must be quite a guy.

This is also borne out by the amazing organization of "Pres Aid", the auction tomorrow that Pres' friends and colleagues in animation have put together to help defray the costs of Pres' battle with leukemia.
There are far, far too many pieces for me to feature them all here, but clicking on the link above will take you to the blog set up to display most of them and explain more about the event.

In addition, some additional, choice art that wont be auctioned in the live event on June 20th has been listed on Ebay-I managed to win a beautiful, unsigned Marc Davis giclee of his personal watercolor work. Those listings, which are ongoing, are accessible here.

But back to June 2oth: here's a sampling of the stuff that'll wind up with a happy new home tomorrow:

Carlos Grangel studies for Tim Burton's "The Corpse Bride"; Carlos' original paintings--like Nico Marlet's and many of the other current artists in the auction--is virtually never available for anyone to buy anywhere. This is an extremely rare opportunity to own one. This particular piece was exhibited in recent the MOMA show devoted to Tim Burton's career.


A limited edition print-one of only 22 made-of a personal painting by Marc Davis, signed by Marc and donated to the auction by Alice Davis. Pres and his wife were good friends of the Davis'. I want this painting. Bid against me and make me earn it

This fantastic painting of Messrs Hitchcock and Scorsese by Patrick is going to be in the auction tomorrow. He's one of the very best caricaturists I know, in addition to his visdev and animation work.

Beautiful piece of character design(of Gobber) from Nico Marlet, done for "How To Train Your Dragon". Nico's famous work is more beautiful in person than any scan can show-true of all the scans I have here. You can bid on it tomorrow.

An original pastel by the terrific illustrator-much beloved of animatio artists--the late Earl Oliver Hurst.

THE DETAILS:
Live Auction to benefit Disney and Dreamworks animator Pres Romanillos
Sunday, June 20, at the Animation Guild
1105 N. Hollywood Way (just north of Magnolia)
Burbank, CA 91505. Registration at 1pm, auction to follow at 2 til it's done (about 4pm)

From Kevin Koch's Pres-Aid site: "The building will open at noon, and we anticipate registering people at 1 pm and starting the bidding at 2 pm. We're working with our friend Howard Lowery, the expert on animation auctions, and we're deeply grateful for his participation. Absentee bidding will be available for those who cannot be in Burbank that day, and we anticipate being able to handle phone bidding on a limited basis."

LAist reviews the Calarts Producers Show

LAist, a Los Angeles themed website that reads like a hipper, more locally aware online edition of the L.A. Times, did a review of the annual Calarts Producers Show. As most of my readers know, this one-night-only screening is culled from the best films done in the character animation program at Calarts during the year and presented specifically to showcase the students to prospective employers and other interested parties.

I wasn't able to be there this year although I had a last minute invitation on Thursday evening. I wish I had gone after hearing the various wrapups yesterday from my colleagues who attended--and finding this article on LAist. I confess I'm a little shocked that it warranted mention as it's such an insider sort of show, or was. Is it openly advertised these days?
In any event it's a serious review of the show, with particular mentions (and critiques) of some of the standouts among the standouts. Go over to LAist and peruse their take.
In addition, if anyone can put names to the design art featured in the photograph at left it would be much appreciated.
images from LAist.com

Devin Crane, Paris and paintings in the spring...

...who could ask for anything more?

My colleague and friend, Dreamworks visdev artist Devin Crane is having a show of his luscious personal paintings opening in Paris at the Galerie Arludik on May 26th. Lucky are those who will be able to drop in and see his work up close on the Ile Saint Louis. A small sampling of the paintings he's done for this show are below(click to enlarge):

"Waiting for Klimt"





"High tea in Hell"

"Heaven"
Galerie Arludik is a perfect venue for Devin's first European solo show, as a visit to their website will show. They have an impressive listing of artists from the worlds of animation and bande dessinée. If like me you can't get away to France have a look at the work online. If you are able to be there, it's going to be a lovely evening, no doubt about that.

A Fred Moore for you

Click to enlarge-it's worth it.

...via the Animation Guild's blog and an anonymous collector with an enviable collection of artwork he likes to share.

One wonders just how many of these Fred did for people over the years. This looks as if it's the same format as the ones I own-approximately 11x17, mounted on board.

Much imitated in his day, surrounded by other expert good girl artists and brilliant cartoonists...but none captured the particular elegance and spirit of these studies by Moore. 60 years later he remains inimitable.

Sanjay Patel's Ramayana

There was a lucky bonus from dropping into Shane Prigmore's office today. Displayed among the many other visual goodies on his shelves was a volume with an arresting cover-the kind you're compelled to pick up. At Shane's behest I did, and found it was a brand new book from Sanjay Patel.

I've never met Sanjay but his wonderfully appealing designs of figures from Hindu lore are instantly recognizable, posted and reposted on the blogs of his many admirers. This new book (full title "Ramayana: Divine Loophole")is really stunning in its tackling of the Ramayana, the same story of love and war between gods and mortalsthat inspired Nina Paley's "Sita Sings the Blues".

Leafing through page after page of his lush, beautifully composed, dynamic illustrations was inspiring. Fascinating material, brilliantly executed. The color styling alone would be worth studying-as it is, it's merely as choice as every other element. My copy is on it's way.

"How To Train Your Dragon" Final Theatrical Trailer

This has been out for a couple of days now and I haven't seen it linked on the other blogs I frequent, so here it is.

Bid on a box of Blackwing Pencils-and more-and help the Hodges

David Nethery provided this fantastic coup to the Hodge auction-yours if you're the lucky bidder

Want to buy a perfect and unused box of 12 Blackwing #602s? You'll have a shot at scoring them this week.

I don't know Tim Hodge personally. I know he's worked as an animator and story artist at Disney, and I know his icon well from comments he's left on blogs I've visited...and I also know him from hearing about the auction organized by friends to help defray some of the costs of medical care for his son, Matthew.
Matthew had a horrible accident last August that has left him in a deep coma. The Hodge family is doing everything they can to care for Matthew and bring him back to full consciousness. Obviously the expense involved is tremendous.

The Hodge's story is detailed on the site Help The Hodges. The site and the auction was conceived by their friends and colleagues in the artistic community who wanted to help the family, and it's quite a list. A lot of great stuff donated by many, many of animation's best-not only as regards skill but most importantly, heart.

For just two examples-apart from the eponymous pencils mentioned above-how about a drawing by Pete Docter of Carl and Kevin the bird from "Up"-signed by Pete--and Ed Asner?








Another beauty: Vicky Jenson donated not one but three items-among them, two of her own gouache paintings, visdev art done for "Road to El Dorado". I still have old color copies of some of her remarkable paintings for that film(sadly much crumpled from frequent pinning and repinning on my various office walls). These are really rare.
And there's much, much more. It's all detailed at the auction website.

So have a go at bidding on fantastic, one of a kind art and collectible goodness while helping the Hodges.

The auction is going to go live on Ebay starting this coming Thursday, January 21st .

Gainsbourgia, and French Roasted Animation

Serge Gainsbourg - animation des graffitis sur 5 ans du mur rue de Verneuil from Arnaud Jourdain on Vimeo.

I saw this posted on animator Matt Jones' Facebook page and felt compelled to share it.

The backstory-all of it that I think I know-is that since the death in 1991 of the legendary French singer-songwriter and world class roué, Serge Gainsbourg, the walls of his home on rue de Verneuil in Paris have been used by fans as an ever-changing palette to express their love and regard for this epic character. Seeing the various scrawlings, pictures and messages, put to Gainsbourg's music and literally parsed as they are in the clever film process used is not only hypnotic but for me quite moving.

Apparently (difficult for me to make out as I don't read french) there's a film in production that is making some use of this graffiti via animation done by a studio named Zebulle. And at the end of the piece appear some great drawings by an artist named Joann Sfar, who's making a film on Gainsbourg which is incorporating the Zebulle animation...I think.
I've seen his book "The Rabbi's Cat", but unfortunately don't own a copy of any of his work-which makes me think I'd better place an order at Stuart Ng's when my piggy bank is replenished. I think a post about bande dessinée and french animation is called for at any rate.



And speaking of the fair nation of France, yesterday I was at a screening of the Academy of Motion Picture Arts and Science's short listed animation nominees, among which was a really wonderful short written and directed by the veteran, ex-Dreamworks animator Fabrice Joubert, "French Roast".




This captivating film has fantastic atmosphere, staging and character animation-in its lead character in particular. While watching it I wondered, "Didn't Bibo have something to do with this?" and sure enough, he produced it. Another familiar name designed it: Nico Marlet. And yet another: one credit goes to the charming and wonderfully talented animator and illustrator Aurélie Blard-Quintard; a visit to her blog is a must.


Illustration by Aurélie Blard-Quintard, from her blog "tea-time, isn't it"?

I just love this short. Here's a link to watch it all.
And here's more good stuff about how Nico's designs were translated to the screen (one of the best 2D to CG translations I've seen) from the French Roast production blog.
Amusez-vous bien!

Michael Sporn

Michael Sporn's blog is like a Christmas gift every day with the beautiful things he posts. Here's part of today's entry-a collection of illustrations by Vernon Grant. Worth your while to take a look at that and everything else you'll find there.